. Punch . ns, made a great hit with the ladys shawl,and picked out the buttons of the page a. mer- veille. No. 586 is a Portrait of the Marchioness ofAylesbury in a Spanish costume, or, in otherwords, the head of a lady peering out of a blacksatin hood, and balancing on her forehead aspecies of mushroom. No. 605 is an attempt of Haydon to idealise theold statue at Kings Cross, by making it the prin-cipal figure in a picture called Uriel and Satan. No. 651 is called The Morning of Life, and re-presents a party of sentimental Nobodies, bothmale and female, looking sheepishly up into eachothers f
. Punch . ns, made a great hit with the ladys shawl,and picked out the buttons of the page a. mer- veille. No. 586 is a Portrait of the Marchioness ofAylesbury in a Spanish costume, or, in otherwords, the head of a lady peering out of a blacksatin hood, and balancing on her forehead aspecies of mushroom. No. 605 is an attempt of Haydon to idealise theold statue at Kings Cross, by making it the prin-cipal figure in a picture called Uriel and Satan. No. 651 is called The Morning of Life, and re-presents a party of sentimental Nobodies, bothmale and female, looking sheepishly up into eachothers faces, and sprawling at each others is a man in nankeens, and a light browncoat, who must have paid for the picture, orhe would certainly not have had so large a shareof the foreground assigned to him. Having professed nothing more than a Scamper 234 PUNCH, OR THE LONDON CHARIVARI. through the Exhibition, we leave it for the present, but it is notunlikely that we may honour it with another
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Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorlem, bookcentury1800, bookdecade1840, bookidpunch08lemo
