. The woman gives : a story of regeneration. ed absence, came ina moment later, she found Dangerfield chuckling to him-self, oblivious to everything but the joy of the moment,rearranging the group, as excited as though he werelaunched on a masterpiece. The first point is the \\ell-dressed Alan, he began,with splendid gravity. We must place him in a wayto dominate everything else — a pedestal, or better still,a throne — no, no; he mustnt be sitting. The cut of the trousers is most important, said Flick,who had already formed ambitious plans for the mar-keting. Right — you must stand on an eleva
. The woman gives : a story of regeneration. ed absence, came ina moment later, she found Dangerfield chuckling to him-self, oblivious to everything but the joy of the moment,rearranging the group, as excited as though he werelaunched on a masterpiece. The first point is the \\ell-dressed Alan, he began,with splendid gravity. We must place him in a wayto dominate everything else — a pedestal, or better still,a throne — no, no; he mustnt be sitting. The cut of the trousers is most important, said Flick,who had already formed ambitious plans for the mar-keting. Right — you must stand on an elevation, a flight ofsteps, perhaps. A box on the model-stand will do forthe moment. Now we center it in a triangle, Sassafrasat the left, reclining, one leg out, back to us — hold that,good line — other side, what ? — the Sphinx — Adamand the Sphinx — not a bad idea! Do you want me full-face or side view? said Flick,while Sassafras took his pose and King OLeary wasdraped in a semi-recumbent position to fill the lower There! lie gave them a signal, and stood off grinning li about the compos o
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Keywords: ., bookauthorjohnsonowen18781952, bookcentury1900, bookdecade1910
