. Harmony : a course of study . -25^ =t I 16 IV II 16 V7 I m LESSON SUBMEDIANT TRIAD. The secondary triad next in importance is that of the submediant,the parallel of the tonic. It is often used to succeed the dominant ordominant seventh chord instead of the tonic triad, forming what iscalled the deceptive 78. 7 » * *7 * V7VI In this case the leading tone, if not below the seventh, or in thesoprano voice, may descend to the root of the submediant triad.(Example 78, b). Otherwise the leading tone generally ascends, inwhich case the third of the submediant triad is doubled. 79.

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