Portrait of Maria van Reygersbergh (1632–1674), Rombout Verhulst, c. 1662 She has the head three -quarters to the left, wears a kind of cap over which the hair has been laid, which is held together on the back of braids in a wrung and falls down the shoulders at the sleep in loose pipe curls. A large gem hangs on every ear. A canvas attached to the Wrong in part in part the bare shoulders and is stabbed in the front in the straitjacket. The bust ends under the shoulders and chest. Leiden terracotta (clay material) She has the head three -quarters to the left, wears a kind of cap over which the
Portrait of Maria van Reygersbergh (1632–1674), Rombout Verhulst, c. 1662 She has the head three -quarters to the left, wears a kind of cap over which the hair has been laid, which is held together on the back of braids in a wrung and falls down the shoulders at the sleep in loose pipe curls. A large gem hangs on every ear. A canvas attached to the Wrong in part in part the bare shoulders and is stabbed in the front in the straitjacket. The bust ends under the shoulders and chest. Leiden terracotta (clay material) She has the head three -quarters to the left, wears a kind of cap over which the hair has been laid, which is held together on the back of braids in a wrung and falls down the shoulders at the sleep in loose pipe curls. A large gem hangs on every ear. A canvas attached to the Wrong in part in part the bare shoulders and is stabbed in the front in the straitjacket. The bust ends under the shoulders and chest. Leiden terracotta (clay material)
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Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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