Dictionary of painters and engravers . paintedfrom life. Holyrood Palace, Scotland. Anothercelebrated altar-piece, representing The Deposi-tion of Christ, painted for James Biese, of Bruges,long adorned the high altar in the church of , but disappeared from the church after small triptych, representing The Adoration ofthe Magi and the donor, a canon, protected by , with The Annunciation on the exterior,in the Liechtenstein Gallery at Vienna, and manyother paintings, are attributed to him. It is thoughtthat the figures of the donor and his wife on thedexter shutter of a
Dictionary of painters and engravers . paintedfrom life. Holyrood Palace, Scotland. Anothercelebrated altar-piece, representing The Deposi-tion of Christ, painted for James Biese, of Bruges,long adorned the high altar in the church of , but disappeared from the church after small triptych, representing The Adoration ofthe Magi and the donor, a canon, protected by , with The Annunciation on the exterior,in the Liechtenstein Gallery at Vienna, and manyother paintings, are attributed to him. It is thoughtthat the figures of the donor and his wife on thedexter shutter of a triptych by Dirk Bouts, in thecathedral at Bruges, representing The Martyrdomof St. Hippolytus, were added by Van der Goes. The picture in the Glasgow Gallery assigned toHugh Van der Goes was first attributed to him bySir W. Armstrong in the catalogue of Nether-landish paintings exhibited at the Burlington FineArts Club in 1892. Some critics now believe it tobe by the master of the altar-piece of the Bourbons CO wOO (^ w X o. ?S w w 2; HPiOPh w
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Keywords: ., bookcentury1900, bookdecade1900, booksubject, booksubjectpainters
