. What pictures to see in America. s pictures for rest, butfor exuberance of life. Even the grewsome pic-ture of Crippled Children at the Sea Shore,in the Church of the Ascension, .New YorkCity, gives hope of help, if not of health. Thepicture we love is After the Bath, loaned bythe Hispanic Society to the Metropolitan Mu-seum (see Fig. 45), for in it he has expressedthe innocence and joy of youth, when the heartis pure and the mind clean and wholesome. One of the younger artists of to-day whohas struck an original note is Jonas Lie. Heis original not so much in the choice of sub-jects, for ot
. What pictures to see in America. s pictures for rest, butfor exuberance of life. Even the grewsome pic-ture of Crippled Children at the Sea Shore,in the Church of the Ascension, .New YorkCity, gives hope of help, if not of health. Thepicture we love is After the Bath, loaned bythe Hispanic Society to the Metropolitan Mu-seum (see Fig. 45), for in it he has expressedthe innocence and joy of youth, when the heartis pure and the mind clean and wholesome. One of the younger artists of to-day whohas struck an original note is Jonas Lie. Heis original not so much in the choice of sub-jects, for others have used much the same, butin his manner of treatment. We have againan artist who sees the poetry of labor, but hesees it from an angle all his own. At first wemight think his individuality is due to the sec-tion of country he has chosen—he has paintedmany pictures of the Panama canal section—but in the Morning on the River (Fig. 133)the same personal note is there. The sense ofdepth and height in both the Morning on the. Fig. 131—Bringing Home the Cows. George Inness. Memorial Art Gallery, Rochester.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1915
