. British painters; with eighty examples of their work engraved on wood. immediate family have arisen not afew of those pleasing pictures that, in connection with his name, have longbeen familiar to the habitues of the Academy: such, for example, as TheYoung Mother, Florence Cope at Dinner-time, Babys Turn ! (1854),which we have engraved, and Morning Lessons. These, and otherpictures of a similar kind, are characterized by elegance of composition,truthfulness of sentiment, and sweetness of colour. One of his bestworks that come legitimately within the range of gaire is Reading forHonours in th
. British painters; with eighty examples of their work engraved on wood. immediate family have arisen not afew of those pleasing pictures that, in connection with his name, have longbeen familiar to the habitues of the Academy: such, for example, as TheYoung Mother, Florence Cope at Dinner-time, Babys Turn ! (1854),which we have engraved, and Morning Lessons. These, and otherpictures of a similar kind, are characterized by elegance of composition,truthfulness of sentiment, and sweetness of colour. One of his bestworks that come legitimately within the range of gaire is Reading forHonours in the Country, exhibited in 1864; an original subject, admirablytreated. Yes or No ? came before the public in 1873, Taming of the Shrew,in 1874. Selecting Pictures for the Royal Academy Exhibition, a portraitgroup, is the property of the Academy; it was at Paris in 1878. In thatyear, too, was pamted Lieutenant Camerons welcome Home. Mr. Cope has used the etching-needle with unqualified success, and hasexhibited several of the prints taken from his plates. One of the most. o cc; 1—3 H O a- > 5 O ^ W -5 fa -g 3 3 w «
Size: 1421px × 1758px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, booksubjectpainter, bookyear1881
