. International studio. latter on the cover. New York, and notVenice, is represented onthe Grand Canal band-box, the canal boat beingdrawn in a storm by mulepower, while the lowerpart ol the picture showsthe archway ol an aque-duct with a waterfall dash-ing b\ the side of the Windmill and Rail-road bandbox shows rudecars, loaded with woodand miscellaneous height,which is drawn over therails by horse power. Military scenes seemto \ c been very popular,and Napoleon often holds \ ol AINT DELINEATlo\ OF THE OLDXI \\ YORK PI 1ST 01 i K l AUGUST 1922 thru s i xty-Jive inceRnAcionAL. A PA
. International studio. latter on the cover. New York, and notVenice, is represented onthe Grand Canal band-box, the canal boat beingdrawn in a storm by mulepower, while the lowerpart ol the picture showsthe archway ol an aque-duct with a waterfall dash-ing b\ the side of the Windmill and Rail-road bandbox shows rudecars, loaded with woodand miscellaneous height,which is drawn over therails by horse power. Military scenes seemto \ c been very popular,and Napoleon often holds \ ol AINT DELINEATlo\ OF THE OLDXI \\ YORK PI 1ST 01 i K l AUGUST 1922 thru s i xty-Jive inceRnAcionAL. A PANORAMA OF GARDEN the centre of the Stage,TEMPLES, WITH A FLORALBASKET ON THE COVER varied by Washing-ton subjects or Gen-eral Zachary Taylor Tenting on the Old CampGround. There are also drills of both infantryand cavalry. Vying with martial scenes come thenaval pictures, ships of all patterns in sailing craft,some in storms, and some in calms, but all olthem, apparently, with every stitch of canvas of these views depicts the Sandy I lookLighthouse, with aull-rigged shiptossing to and A3 V American eagle, 1^3K \rrtri ic a ere ro upon a tem-pestuous sea. A RENDERING OF THE WHICH CAME INTO REVOLUTIONARY WAR
Size: 1928px × 1297px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
