Herd Boy with Ox late 15th century Attributed to Kano Masanobu 狩野正信 The bucolic scene of a herd-boy mounted on a water buffalo together making their way past rice paddies across a shallow river evokes a universally understood sense of harmony with nature while simultaneously sparking multiple associations in the context of early Japanese ink painting. While an affinity to didactic Zen Buddhist parables such as the Ten Ox‑Herding Songs is obvious, the image of an ox and ox‑herd was also emblematic of spring and agriculture, and enjoyed a long history in secular landscape painting in both China
Herd Boy with Ox late 15th century Attributed to Kano Masanobu 狩野正信 The bucolic scene of a herd-boy mounted on a water buffalo together making their way past rice paddies across a shallow river evokes a universally understood sense of harmony with nature while simultaneously sparking multiple associations in the context of early Japanese ink painting. While an affinity to didactic Zen Buddhist parables such as the Ten Ox‑Herding Songs is obvious, the image of an ox and ox‑herd was also emblematic of spring and agriculture, and enjoyed a long history in secular landscape painting in both China and Japan. This painting, in ink on a gilded fan, was probably based on a similar composition in a round fan-shaped painting by the thirteenth-century Chinese court painter Xia Gui, whose works were treasured in prominent Japanese collections of the fifteenth Herd Boy with Ox 53213
Size: 4000px × 3000px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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