. Colour in woven design . Fig. 50. SIMPLE COLOURINGS. 215. The II. Scheme finds application to five-shaft , in the twill given in fig. 50a, itmakes the neat and precise check styleseen in fig. 50. When this arrangementis used in worsted coatings, the effectseen in white may be composed of silkyarns. Certainly the introduction of silkm this manner adds richness to theeffect. The same scheme is applied tocottons and fancy woollens. Some effec-tive patterns ensue from colouring— For t 4 threads of black. 25 threads. ( 1 thread of white. For ( 4 threads of white. 25 threads. ( 1 thread
. Colour in woven design . Fig. 50. SIMPLE COLOURINGS. 215. The II. Scheme finds application to five-shaft , in the twill given in fig. 50a, itmakes the neat and precise check styleseen in fig. 50. When this arrangementis used in worsted coatings, the effectseen in white may be composed of silkyarns. Certainly the introduction of silkm this manner adds richness to theeffect. The same scheme is applied tocottons and fancy woollens. Some effec-tive patterns ensue from colouring— For t 4 threads of black. 25 threads. ( 1 thread of white. For ( 4 threads of white. 25 threads. ( 1 thread of black. Of course the shades are varied according to the taste ofthe colourist. But the form of the pattern resultant fromthis arrangement comprises a series of effects similar to Fig. 50a. tTir!~I jw fa t k Fie. 51. Fig. 50b. that sketched in fig. 50, and then a series of effects with awhite ground and black spotting. The extent to which one thread and a slight changem the weave may alter the nature of a woven pattern isforcibly illustrated by the n
Size: 1568px × 1594px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, booksubjectcolorin, bookyear1890
