. New and improved method for the guitar. * P* #3. 53. JT 3 2 jt^-j -T—* j^-jjy^--*- I f-* 56 CARCASSI8 INSTRUCTIONS FOR THE GUITAR ^M—± t?— ht iZ 53- J 3 ~k 4 M. le Pta>. wm r r T t r + f7 *—j—H— -ill* i * ■* - i • IM #1 J. ii§iii§ ^=3t^ _#_n_# * 0 ^ i-0 r thr ^fi # 0- -J*wd y~^~|-J7^-g-3t^iy 9th Pos- i in TJi ^TTjv — — ^ #* #«l S2L v ^ -**^ z#£ ,« f- D*lce. r r r MAJOR. 9tb Pos- J. t~jtb. j~~r+ i-«*5yi ,N j5 z*0 J3 »-«. — — B#i. 7-t= F r r 5tn Pos- 2d Pos-. 1st Pos- T ^* -fz0: 3E^ r 2 3- 9th Pos. *=*. Ecart uk r :J=iM^: -* ^ is- A*- jz^ajj 9th Pos. 2d Pos. r aiei 9th Pos- m -P- - 7th Pos.
. New and improved method for the guitar. * P* #3. 53. JT 3 2 jt^-j -T—* j^-jjy^--*- I f-* 56 CARCASSI8 INSTRUCTIONS FOR THE GUITAR ^M—± t?— ht iZ 53- J 3 ~k 4 M. le Pta>. wm r r T t r + f7 *—j—H— -ill* i * ■* - i • IM #1 J. ii§iii§ ^=3t^ _#_n_# * 0 ^ i-0 r thr ^fi # 0- -J*wd y~^~|-J7^-g-3t^iy 9th Pos- i in TJi ^TTjv — — ^ #* #«l S2L v ^ -**^ z#£ ,« f- D*lce. r r r MAJOR. 9tb Pos- J. t~jtb. j~~r+ i-«*5yi ,N j5 z*0 J3 »-«. — — B#i. 7-t= F r r 5tn Pos- 2d Pos-. 1st Pos- T ^* -fz0: 3E^ r 2 3- 9th Pos. *=*. Ecart uk r :J=iM^: -* ^ is- A*- jz^ajj 9th Pos. 2d Pos. r aiei 9th Pos- m -P- - 7th 2d Pos. r ip—I*- H h =£= :| • • f ^ ^ itcxizai MWgi r :*j—;^ -•> »- -*t- r 4 r^-1 i r ^—j_ ; y J=^=ES r -5~T i i r i f r tx-J sm r CARCASSIS INSTRUCTIONS FOR THE GUITAR 57 Of Double Notes. On the Guitar there are passages of double notes >r thirds,uxths, octaves, and tenths ; to facilitate their execution, it isnecessary to slide the fingers as much as possible, in massingfrom one fret to another. In these first exercises the fingers which are to slide aremarked by small lines placed between the numbers, to indicatethe fingering of the left hand. Des Doubles Votes. Sur la Guitare, on fait des passages de doubles notes ertierces, sixtes, octaves et dixiemes; pour en faciliter lexecu-tion, il faut, autant que possible glisser les doigts en passantdune case a lautre. Dans ces premiers exercices, les doigts qui doivent glisseiso
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