. Florence in poetry, history and art . Ghirlandajos with the cloak and jewels;Guidos Queen, whom men and angels worship;Delia Robbias best; and that sweet Perla,Sevilles bright boast, Mary of Murillo(Painted, so they vow, with milk and roses);Guido Rem s Quaclro at Bologna;Munichs masterpiece; grim Durers goddess;Yes, and thy brave work, Beltraffio mio—Many as the lessons are I owe them,Thanks and wonder, worship, grateful mem-ories,Oftenest I shall think of Peruginos. —Sir Edwin Arnold. Raphael was a pupil of Perugino at Perugia,and early in his career he copied his mastersmanner exclusively
. Florence in poetry, history and art . Ghirlandajos with the cloak and jewels;Guidos Queen, whom men and angels worship;Delia Robbias best; and that sweet Perla,Sevilles bright boast, Mary of Murillo(Painted, so they vow, with milk and roses);Guido Rem s Quaclro at Bologna;Munichs masterpiece; grim Durers goddess;Yes, and thy brave work, Beltraffio mio—Many as the lessons are I owe them,Thanks and wonder, worship, grateful mem-ories,Oftenest I shall think of Peruginos. —Sir Edwin Arnold. Raphael was a pupil of Perugino at Perugia,and early in his career he copied his mastersmanner exclusively, adding over and beyondthe work, a coloring and grace emphaticallyhis own. With his master he came to Florenceat the time of the great Leonardo de Vinci-Michael Angelo contest for the decoration ofthe Palazzo Vecchio, as did other great artistsfrom far and near, and he remained in Florencefor a while, gathering in new and broader idealsfor his work, which showed the influence of Leo-nardo, and also of Bartolommeo of San Marco. 236. Madonna GranducaPitti Gallery Raphael
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Keywords: ., bookcentury1900, bookdecade1910, bookidflorenceinpo, bookyear1913
