. Bulletin. Ethnology. 242 BUREAU OF AMERICAN ETHNOLOGY [bull. 53 Unclassified Songs—Lac du Flambeau Reservation ^ Melodic Analysis TONALITY Number of songs Serial Nos. of songs Major Minor Beginning major, ending minor (same keynote) Total 68,115,116,117,118,121,122,127 114,119,120,123,124,125,126,171 67 BEGINNINGS OF SONGS Number of songs Serial Nos. of songs On twelfth. On On On octave. On fourth. On On Total 68,115 116,118,120,125 67,117 114,119,123,124,126 121,122 171 127 ENDINGS OF SONGS Number of songs Serial Nos. of songs 12 4 1 67, 68,114,115,119, 121,
. Bulletin. Ethnology. 242 BUREAU OF AMERICAN ETHNOLOGY [bull. 53 Unclassified Songs—Lac du Flambeau Reservation ^ Melodic Analysis TONALITY Number of songs Serial Nos. of songs Major Minor Beginning major, ending minor (same keynote) Total 68,115,116,117,118,121,122,127 114,119,120,123,124,125,126,171 67 BEGINNINGS OF SONGS Number of songs Serial Nos. of songs On twelfth. On On On octave. On fourth. On On Total 68,115 116,118,120,125 67,117 114,119,123,124,126 121,122 171 127 ENDINGS OF SONGS Number of songs Serial Nos. of songs 12 4 1 67, 68,114,115,119, 121,122, 123,124, 126, On fifth 127,171 116,117,120,125 On third 118 Total ... . 17 TONE MATERIAL. Serial Nos. of songs First five-toned scale Second five-toned scale Fourth five-toned scale Major triad and sixth Minor triad and fourth Octave complete Octave complete except seventh Octave complete except seventh and second Octave complete except sixth Minor third and fourth First, second, and fifth tones Other combinations of tones Total ' The following songs included in this table are described in other chapters: Nos. 67 and 68 are divorce songs, found in the Drum-presentation Ceremony, while No. 171 is a song of the pipe Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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