. St. Nicholas [serial] . THE DE VINNE PRESS, NEW PORTRAIT OF A CHILD. FROM A PAINTING BY ADRIAEN HANNEMAN. IN THE ROYAL MUSEUM AT THE HAGUE.(ENGRAVED FOR RT. NICHOLAS BY T. JOHNSON.) ST. NICHOLAS. Vol. XVIII. APRIL, 1891. No. 6. THE GATES ON GRANDFATHERS FARM. By Mary Hallock Foote. Little Eastern children, transplanted in theirbabyhood to the far West, have to leave behindthem grandfathers and grandmothers, and allthe dear old places associated with those bestfriends of childhood. Of our Canon children, Jack was the onlyone who could remember grandfathers house;although Polly had roma
. St. Nicholas [serial] . THE DE VINNE PRESS, NEW PORTRAIT OF A CHILD. FROM A PAINTING BY ADRIAEN HANNEMAN. IN THE ROYAL MUSEUM AT THE HAGUE.(ENGRAVED FOR RT. NICHOLAS BY T. JOHNSON.) ST. NICHOLAS. Vol. XVIII. APRIL, 1891. No. 6. THE GATES ON GRANDFATHERS FARM. By Mary Hallock Foote. Little Eastern children, transplanted in theirbabyhood to the far West, have to leave behindthem grandfathers and grandmothers, and allthe dear old places associated with those bestfriends of childhood. Of our Canon children, Jack was the onlyone who could remember grandfathers house;although Polly had romanced about it so muchthat she thought she could remember. Pollywas born there, but as she was taken away onlyeighteen months afterward, it s hardly likelythat she knew much about it. And Baby wasborn in the Canon, and never in her life hadheard the words grandpapa or grandmamaspoken in the second person. For the sake of these younger ones, deprivedof their natural right to the possession of grand-parents, the mother used to tell everything shecould put
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Keywords: ., bookauthordodgemar, bookcentury1800, bookdecade1870, bookyear1873
