Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . the fing*ers, arises from the difference of in the hands; and at first, is the cause of much perplexity to the beginner, who isalways naluralry inclined to pass hoth thumbs at the same time. 2 25. To ensure to hoth hands the requisite independence of , the Pupil must atfirst practise the preceding* passag*e with each hand alone, and
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . the fing*ers, arises from the difference of in the hands; and at first, is the cause of much perplexity to the beginner, who isalways naluralry inclined to pass hoth thumbs at the same time. 2 25. To ensure to hoth hands the requisite independence of , the Pupil must atfirst practise the preceding* passag*e with each hand alone, and continue this, till this differ-ent placing* of the thumb has become a habit. AVhen this is accomplished, he may then prac-tise it with both hands tog-ether; at first extremely slow, and afterwards gradually quicker &quicker. §24. The habitual observance of all these rules exerts an immense influence on the Pupilsperformance and future progress; it is for this reason that we hare been so diffuse in g*rring*these very necessary instructions. §, A few weeks later, we may add the following* Exercises to those already given, to accus_torn the Pupil to the passing* of the thumb under, or of the finders over to more ^ 4 3 i These exercises must be studied in the same manner as those which preceded them, andwe must take particular care that in playing* them,the Pupil does not lift up, or turn out hisarms or elbows. 81!1 Practice of the Scales in all the Major Keys. §1. So soon as the Pupil has attained some knowledg*e as to the reading* of the notes^and somefacility in playing* the Ping*er Exercises, he must practise the Scales in all the 12 major -keys,and by degrees learn them by heart; he must consider them as a perpetual Study, and during*the remaining* period of his learning* the Piano forte, never omit playing* them over every dayeither wholly or at least in part. ~ §2. All the rules relating* to the position of the arms, hands, fing*ers,& the
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
