. A treatise on harmony, with exercises . ;* 16 THE COMMON CHORD 19. (a) (^) (-) mw^i^. ?f5>- 1=2 a. G>—I—-ri? (^) (^) :d2 ^HJfe --^- -6- ^ m 9i^ JO-. if-b-s*- P|t-p - 1 n- - in—^ :# (^) -(5- :|| (^) .(2-hi©- m^ --^^w% IA_2 l2 -iS- Ciffi—Ld:^ ::zfe: BiEifc 21. ( it g g I m=\ ^M ^ p 1 ^ m m Eb+ VI III- IV+ II V+ 1+ VI+ IV- V+ I-. 18 THE COMMON CHORD 28. Open Close i T-~. ill -z?— « m G+ 29. v+ III- 1+ Open V+ Ill-Close W m \l^i:^_z r+ v+ III- 1+ v+ III- 30. The common chord of nature, is the name given to themajor triad. It is so called because it may be obtained from astretched s
. A treatise on harmony, with exercises . ;* 16 THE COMMON CHORD 19. (a) (^) (-) mw^i^. ?f5>- 1=2 a. G>—I—-ri? (^) (^) :d2 ^HJfe --^- -6- ^ m 9i^ JO-. if-b-s*- P|t-p - 1 n- - in—^ :# (^) -(5- :|| (^) .(2-hi©- m^ --^^w% IA_2 l2 -iS- Ciffi—Ld:^ ::zfe: BiEifc 21. ( it g g I m=\ ^M ^ p 1 ^ m m Eb+ VI III- IV+ II V+ 1+ VI+ IV- V+ I-. 18 THE COMMON CHORD 28. Open Close i T-~. ill -z?— « m G+ 29. v+ III- 1+ Open V+ Ill-Close W m \l^i:^_z r+ v+ III- 1+ v+ III- 30. The common chord of nature, is the name given to themajor triad. It is so called because it may be obtained from astretched string, by dividing the same into its aliquot parts;the fourth, fifth and sixth sections vibrate respectively as theroot, third and fifth, of a common chord. Hence the major is anatural triad; whereas the minor is an artificial triad, that is tosay, it has been adopted by man for the purpose of art. CHAPTER V 19 HARMONIC PROGRESSIONS (Pages 72-77) I (*) (^) (rf) ^^^ :t:=4 liS-^ t: P-/2_: in 1+ IV+ v+ ni- v+ VI- IV+ 1+
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