. Programme . slumber,Woes, like veils in growing number Tremble over thy voice I hear in dreams,Calling to me from the bowr—No one comes to ope the awake and weep bitterly! Yes, to death I must resign anothers arms entwine thee When Im pale and before Mays zephyrs comeOr the thrush begins his tuneThou again wouldst see thine , ah come to me soon !{English tranaiafion hi/ H. E. Krchbiel*Copyright, 1919, hy Margarcte Matzcnauer.) The orchestrated accompaniment is by Leopold original version is in C minor-C major. Slow and sort, transcri
. Programme . slumber,Woes, like veils in growing number Tremble over thy voice I hear in dreams,Calling to me from the bowr—No one comes to ope the awake and weep bitterly! Yes, to death I must resign anothers arms entwine thee When Im pale and before Mays zephyrs comeOr the thrush begins his tuneThou again wouldst see thine , ah come to me soon !{English tranaiafion hi/ H. E. Krchbiel*Copyright, 1919, hy Margarcte Matzcnauer.) The orchestrated accompaniment is by Leopold original version is in C minor-C major. Slow and sort, transcription for a high voice is in F minor-F major. This song, one of five for a low voice, was composed by Brahms * The translation into English of this text, of the texts of the following songs bySchumann ami Sehubert, and of the scene from Dusk of the Gods was made byM. Krehbiel last snniiiier at Blue Hill, Me., after he had completed the translation ofParsifal for the Metropolitan Opera House. Established 1877. 256 BOYLSTON StreetBoston IMPORTERS /. ORIGINATORS Riding Habits and Breeches Coats, Sporting Attire Tailored Suits and Frocks Day and Evening Dresses . RIDING HABITSSPORTING COSTUMES NEW STYLES NEW CLOTHS 745 at Tiiun in August, 1886. When Hermine Spies * visited Brahras inSeptember she found two unpublished songs on the pianoforte rack:Immer leiser wird mein Schlummer and Wie Melodien zieht sang them and Brahms accompanied her. In December she tookthe songs (Op. 105) in manuscript and sang them to the Herzogen-bergs, but she did not put them on a programme for the to Kalbeck, she did not then have full confidence in herability as an interpreter of the composer. At any rate Brahms didnot then give her permission to sing the two songs. In 1888 Gustav Walter (1834-1910), a pupil of the Prague Con-servatory of Music, engaged at the Brtinn Opera House in 1856 andlater famous at the Vienna Opera House, sang Wie Melodien ziehtes from manuscript, and on
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