. What pictures to see in America. BY GILBERT K. CHESTERTON With The Flvmg- Inn, Chestertonsets the seal on his versatility; it is amedley that out Chestertons Chester-ton. —Boston Transcript A hook that makes you want to getup and shout, . . which is a goodfeeling; a book like a brass band march-ing and playing- over hills with strongyouths stepping to it ; in fact, its at his amazing best. —Hildegarde Hawthornein the New York I imes There is an astonishing deal of rol-licking good stuff in the book, wit, satire,drollery, philosophy, and an amazingtrick of character-drawing in a
. What pictures to see in America. BY GILBERT K. CHESTERTON With The Flvmg- Inn, Chestertonsets the seal on his versatility; it is amedley that out Chestertons Chester-ton. —Boston Transcript A hook that makes you want to getup and shout, . . which is a goodfeeling; a book like a brass band march-ing and playing- over hills with strongyouths stepping to it ; in fact, its at his amazing best. —Hildegarde Hawthornein the New York I imes There is an astonishing deal of rol-licking good stuff in the book, wit, satire,drollery, philosophy, and an amazingtrick of character-drawing in a style thatmingles realism, the fantastic, even thepassionate and fanatic. —Xew York Evening PostSecond Edition. Cloth, $ net At All Bookstores JOHN LANE CO. NEW YORK un-^hens inind-izonhereeing [830 lOl) [ hisside;now1 thefor-^reatthatbeenwall, tes-nion the ziest ; and Cut In LOCKES GREATEST SUCCESS. FORTUNATE^-^ YOUTH ^t WILLIAM J. LOCKE C A glorious romance of life and loveand valor, and Mr. Lockes best sinceThe Beloved Introducing the most lovable hero inall Lockes galaxy of lovable To a ragamuffin slum boy is vouch-safed a Vision Splendid that raises hissoul above his grubby , possessed with the idea thatthe future holds for him a glorious des-tiny, he presses forward undauntedly tothe achievement of his great ambitions. With 8 illustrations by ARTHUR I. KELLER Large i2mo. Decorated Cloth, $ net At All BookstoresJOHN LANE COMPANY New York PHILADELPHIA 171 windmill was the beginning of his intimate un-derstanding of the moods of the clouds. Whenhis Hay Wain was exhibited in Paris in1824, it greatly impressed the French land-scape painters, the founders of the Barbizonschool of 1830. They recognized that herewas a man who saw nature through seeingeyes. Naturally we turn next to one of these 1830men, and in looking at Solitude (F
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1915
