. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . I F>r g::r:ptp=:cTCp:. A s for my own Opinion, I do not only allowthe Confecution of two ^ths^ one of them being Im-perjeBy but (being rightly taken) efteem it amongO:the Elegances ot Figurate Defcant. THisIfpeak,fuppofing them to be in if the Notes be long, as SemikeveSi and fome-times alfo Mimms, I fliould then rather choofe tohave the Pe^feH ph to hold on, till the other Partremove to a 6thy before it change to an ImperfeH $th. As jor thus, but thus, or thus> ;=

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. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . I F>r g::r:ptp=:cTCp:. A s for my own Opinion, I do not only allowthe Confecution of two ^ths^ one of them being Im-perjeBy but (being rightly taken) efteem it amongO:the Elegances ot Figurate Defcant. THisIfpeak,fuppofing them to be in if the Notes be long, as SemikeveSi and fome-times alfo Mimms, I fliould then rather choofe tohave the Pe^feH ph to hold on, till the other Partremove to a 6thy before it change to an ImperfeH $th. As jor thus, but thus, or thus> ;=?=xs:z; -9H ;: zyzxLi— ^z.; t g=Bi Yzzn -^3- >\ H 3 ^Z Con 102 gA Cora;^endium ofMvs i cl§8. Consecution of ^ds and (5th5. s Two Greater ^ds can hardly follow one the o-ther, without Relation Inharmonical-^ yet inrifing by Degrees toa Binding Cadencethey are allowable,as thus: In which an In-ner Part will pro*perly come in, asyou fee in the Ex-ample, And, by this youmay perceive thatRelation Inharmonical is fometimes difpenfed with ;which mud be referred (next after the Ear) to theJudgment of the Co

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