Harmony, its theory and practice . Wfe have here some of the most frequently used the first crotchet of the bar is 4 3, at the second and third,7 6 (the first inversion of the suspension 9 8). There is nosuspension at the last crotchet of the first bar, because thequaver C is a note of the harmony. The second crotchet of thesecond bar shows the somewhat rare and always ambiguous(§ 34^) suspension 6 5. 354. Our next illustration— Schubert. Rosamunde. Ex. 274, shows the root position of the 9 8 suspension. In the fol-lowing— Ex. 275. Bach. Organ Fugue in C

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903