One of Seif? Yohei III’s most visually impactful techniques, seen in this work, was to combine complex low-relief designs in clay surrounded by diffused underglaze blue or pink, which he then covered with a transparent or translucent glaze. Yohei III also experimented with clay bodies ranging from bluish white to ivory combined with translucent cream-colored glazes. The atmospheric effects he achieved were considered remarkable. Lidded Jar with Peonies, 1897–1912. Seifū Yohei III (Japanese, 1851–1914). Porcelain with molded and carved design and underglaze color; height: 27 cm (10 5/8 in.); di
One of Seif? Yohei III’s most visually impactful techniques, seen in this work, was to combine complex low-relief designs in clay surrounded by diffused underglaze blue or pink, which he then covered with a transparent or translucent glaze. Yohei III also experimented with clay bodies ranging from bluish white to ivory combined with translucent cream-colored glazes. The atmospheric effects he achieved were considered remarkable. Lidded Jar with Peonies, 1897–1912. Seifū Yohei III (Japanese, 1851–1914). Porcelain with molded and carved design and underglaze color; height: 27 cm (10 5/8 in.); diameter: cm (10 3/8 in.); height with stand: cm (12 in.).
Size: 3400px × 3147px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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