Roodscreens and roodlofts . y with it. They are each of five bays, of good proportionand detail, but the carving is not so delicate as in some of the north and mid-Devon examples. (3) The pulpit, which is of stone, is a very rich specimen of florid fifteenth century work, andhas the chalice shape, so much admired. of Panel Paintings Screen across nave and north aisle— Figures discernible through the brownpaint. On main chancel— First compartment, four Confessors orDoctors. Then— 5. St. Bartholomew. 6. St. PhiUp. Panels of doors new : then— 1. St. James Major (?) 2

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Roodscreens and roodlofts . y with it. They are each of five bays, of good proportionand detail, but the carving is not so delicate as in some of the north and mid-Devon examples. (3) The pulpit, which is of stone, is a very rich specimen of florid fifteenth century work, andhas the chalice shape, so much admired. of Panel Paintings Screen across nave and north aisle— Figures discernible through the brownpaint. On main chancel— First compartment, four Confessors orDoctors. Then— 5. St. Bartholomew. 6. St. PhiUp. Panels of doors new : then— 1. St. James Major (?) 2. St. Andrew 3. St. Jude. 4. (?) 5. St. Matthias. 6. Probably an Evangelist. 7. Not Across south aisle— First compartment and doors brown painted over; south compartment concealed by a figures on the main screen are alleged to have been painted by the father of the late Vicar. 7. St. Thomas. i ^ figure of St. Anne is mentioned in C. 8. Defaced. Worthys Devonshire Parishes, II, 8. PLATE XCVm.

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectchurcharchitecture