. Programme . tL< ^ f^ *Zi FOR those whose require-ments demand perfectionand whose tastes demand ex-cellence, find THE iitft the ultimate expression ofmusical worth. Catalogue furnished on request CHAS. A\. STIEFPInc. 122 Boylston established 1842 Kii *_^4 n. 463 to G major. Hellmesberger made an earlier arrangement for violin,harp, pianoforte, and harmonium, «* » M. Eomain Holland, in his life of Handel (Paris, 2d ed., 1910),speaks of the magnifieent indifference of the composer in choosingamong the forms of art and various tendencies of music during histime. All the tendencies
. Programme . tL< ^ f^ *Zi FOR those whose require-ments demand perfectionand whose tastes demand ex-cellence, find THE iitft the ultimate expression ofmusical worth. Catalogue furnished on request CHAS. A\. STIEFPInc. 122 Boylston established 1842 Kii *_^4 n. 463 to G major. Hellmesberger made an earlier arrangement for violin,harp, pianoforte, and harmonium, «* » M. Eomain Holland, in his life of Handel (Paris, 2d ed., 1910),speaks of the magnifieent indifference of the composer in choosingamong the forms of art and various tendencies of music during histime. All the tendencies of Europe at that period are reflectedin his operas: Reisers model, in his first works; the Venetian modelin his Agrippina—the model of Scarlatti and Steffani in the firstoperas at London, into which English influences, especially inrhythm, were soon introduced; then he rivalled Bononcini; thenthere were great efforts of genius to create a new musical drama, asGiulio Cesare, Tamerlano, Orlando; then came the charmingopera-ballets inspired by France, Ariodante, Alcina; then theoperas in which the opera-comique and the lightened style of thesecond half of the century appear, Serse, Deidamia. Had hecontinued to write operas, Handel would probably have tried stillo
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