Antonio Allegri da Correggio, his life, his friends, and his time . erprises, no 1 Mengs, ii. p. 175. Tirabosclii, vi. p. 284. Lanzi, (/. c/Av. c//. Iungileoni, i. p. 25 ;ii. p. 39. Meyer, p. 89. 2 Some of these are mentioned by Meyer, pp. 394 and 419. There is one in theParma Gallery (No. 524), wliich was acquired with the Rosa-Prati Collection. One,attributed to Lelio Orsi, was in the Roumegous Collection. (See the catalogue printedat Parma in 1804.) Another was presented to the Academy of Arts of that city in 1855as a work of the Bolognese school. MSS. Mimites of ilic Academy, vi. p. 87. CO
Antonio Allegri da Correggio, his life, his friends, and his time . erprises, no 1 Mengs, ii. p. 175. Tirabosclii, vi. p. 284. Lanzi, (/. c/Av. c//. Iungileoni, i. p. 25 ;ii. p. 39. Meyer, p. 89. 2 Some of these are mentioned by Meyer, pp. 394 and 419. There is one in theParma Gallery (No. 524), wliich was acquired with the Rosa-Prati Collection. One,attributed to Lelio Orsi, was in the Roumegous Collection. (See the catalogue printedat Parma in 1804.) Another was presented to the Academy of Arts of that city in 1855as a work of the Bolognese school. MSS. Mimites of ilic Academy, vi. p. 87. CORRROGIO LEAVES HIS NATIVE CTTV 139 violent and unlawful passion, no catastrophes such as we read of inthe biographies of Michelangelo and Benvenuto Cellini, for instance,throw a ray of light, though but a sinister one, upon his path. This redounds indeed to Correggios honour. But his very virtuesincrease the difficulties of the biographer, who has to weave the webof his history, and inquire into his psychological structure withoutthe help of anecdote and Mr. L. MunJ, Londo
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