First lessons in batik; a handbook in batik, tie-dyeing and all pattern dyeing . and white. Green, composed of the primaries yellow and blue, is capable of greatvariation from cool to warm according to the amount of either blue or yel-low entering into it. Its contrast is red. Orange is the most brilliant of the secondary colors. It is most use-ful when toned down to old gold and russet. Violet is the darkest of the secondary colors. As it contains muchblue it has a tendency to fade into a neutral brownish color by artificiallight. The tertiary colors russet, olive, and citrine are most valuab
First lessons in batik; a handbook in batik, tie-dyeing and all pattern dyeing . and white. Green, composed of the primaries yellow and blue, is capable of greatvariation from cool to warm according to the amount of either blue or yel-low entering into it. Its contrast is red. Orange is the most brilliant of the secondary colors. It is most use-ful when toned down to old gold and russet. Violet is the darkest of the secondary colors. As it contains muchblue it has a tendency to fade into a neutral brownish color by artificiallight. The tertiary colors russet, olive, and citrine are most is made up of orange and violet, which again are composed of yel-low, blue, and red. Red being in both of these colors, russet evidentlybelongs to the red group of colors, and contains a smaller proportion ofboth yellow and blue. The contrast to russet is from deep green to bluegrey for a very orange shade. Olive is dominantly a blue color as it is made from green and violet,both of which contain blue. The contrast of olive is deep orange. COLOR AND HOW TO USE IT 55. -^: %:w ^. A Scarf tied in bands across the by Helen R. Reed
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectdyesanddyeing, bookye
