. How to sing : a complete treatise on singing with practical illustrations and diagrams. a b c dQfgcLbcdefgCLbedef>. Upper Thidk VLower TVdiv VUpper Tkhv Smell A soprano, ascending the scale pp, finds it difficult to sound F—or G—; it blobs, or breaks off alto- a tone at all at m gether. With repeated trials, however, the voice develops and becomesconnective. Then, advancing day by day, semitone by semitone thehard-working, diligent student can frequently secure—in time—five orsix extra notes at the top of the voice, very light in quality, but withwonderful carrying power in a large hall.
. How to sing : a complete treatise on singing with practical illustrations and diagrams. a b c dQfgcLbcdefgCLbedef>. Upper Thidk VLower TVdiv VUpper Tkhv Smell A soprano, ascending the scale pp, finds it difficult to sound F—or G—; it blobs, or breaks off alto- a tone at all at m gether. With repeated trials, however, the voice develops and becomesconnective. Then, advancing day by day, semitone by semitone thehard-working, diligent student can frequently secure—in time—five orsix extra notes at the top of the voice, very light in quality, but withwonderful carrying power in a large hall. The small voice, when trained, is very flexible and elastic, and forthis reason is invaluable for acquiring the shake or trill, a most difficult 36 How to Sing. element to negotiate in the lower and thicker most perfect when sung in the small register. The trill is in- THE MIXED VOICE. The mixed voice is a modern acquisition. It is never referred toin old books of singing, but appears to be the direct outcome of Physio-logical research and more accurate scientific knowledge among teachers
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