. The mythology of all races. XIVA Ghost This is an apparition of a female ghost, with aphosphorescent flame, and represents a soul tormentedby hatred or jealousy. The Japanese ghost is usu-ally understood to be void of feet, but here a foot isfaintly depicted. The artist Okyo founded a real-istic school and his works are famous for their faith-fulness to nature. See p. 239. By Maruyama Okyo (dated 1779). Original inpossession of Museum of Fine Arts, Boston. The Genii of the World Beyond Shozu-ga no Baba (the guardian of the cross-roadson the journey of the soul). Every soul transmi-grating to
. The mythology of all races. XIVA Ghost This is an apparition of a female ghost, with aphosphorescent flame, and represents a soul tormentedby hatred or jealousy. The Japanese ghost is usu-ally understood to be void of feet, but here a foot isfaintly depicted. The artist Okyo founded a real-istic school and his works are famous for their faith-fulness to nature. See p. 239. By Maruyama Okyo (dated 1779). Original inpossession of Museum of Fine Arts, Boston. The Genii of the World Beyond Shozu-ga no Baba (the guardian of the cross-roadson the journey of the soul). Every soul transmi-grating to the various resorts beyond has to pay atribute to the old woman sitting at the cross-roadswhere the three ways of transmigration begin. Seep. 238. Jizo (Ksitigarbha), the guardian of the childrenssouls. See p. 240. Emma (Yama-raja), the Pluto of the Buddhisthells. He is a furious manifestation of the samegenius as the benign genius, Jizo. See p. 238. By Kukuchi Yosai (1788-1878). In possessionof Museum of Fine Arts,
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