. Hopi Katcinas drawn by native artists. nd to havebeen brought to Tusayan by the Asa people when they came from Zuniis exhibited in one of the kivas at the festival of the winter ej-es of this mask are round instead of crescentic, and its snout isvery protuberant. Curved sticks like those used by girls in dressingtheir hair are attached to this mask. The introduction of a personation of Tcakwaina in the Pamiirti isfitting, for this festival is the katcina return dance of the Tcakwainaor Asa clans. The Pamiirti is a Zuni dance, and the Asa are repre-sented in Zuni by descendants o
. Hopi Katcinas drawn by native artists. nd to havebeen brought to Tusayan by the Asa people when they came from Zuniis exhibited in one of the kivas at the festival of the winter ej-es of this mask are round instead of crescentic, and its snout isvery protuberant. Curved sticks like those used by girls in dressingtheir hair are attached to this mask. The introduction of a personation of Tcakwaina in the Pamiirti isfitting, for this festival is the katcina return dance of the Tcakwainaor Asa clans. The Pamiirti is a Zuni dance, and the Asa are repre-sented in Zuni by descendants of those Asa women who remainedthere while the rest went on to Tusayan. This explains why the Zunisclaim this settlement as one of their pueblos in Tusayan. aThe name Tcakwaina is said to occur in Zuflian, Keresan, and Tanoan, as well as Hopi so by use of albumen of egg. For picture of doll, see Internationales ArcMv fiir Ethno-graphie, Band vir, pi. x, fig. 34. BUREAU OF AMERICAN ETHNOLOGY TWENTY-FIRST ANNUAL REPORT PL. IV. TCAKWAINA
Size: 1002px × 2494px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorfewkesje, bookcentury1900, bookdecade1900, bookyear1904
