International studio . harity toward this miscon-ception, than of severity. Norhave I seen or heard of a sin-gle instance of injustice to-ward a print Ix-aring an un-known signature. For allthat, there may be youngartists who through are holding backtheir work from exhibition>conducted by etchers. Ifthere are any, heres hopingthe Friends of Young Artistndiscover them. It might be gratifying if kio hi i mi \i>k vsri The collection of the late Da\id , Esquire, now on view, has been knownto all art lovers, in America for many years as acollection representing an excep
International studio . harity toward this miscon-ception, than of severity. Norhave I seen or heard of a sin-gle instance of injustice to-ward a print Ix-aring an un-known signature. For allthat, there may be youngartists who through are holding backtheir work from exhibition>conducted by etchers. Ifthere are any, heres hopingthe Friends of Young Artistndiscover them. It might be gratifying if kio hi i mi \i>k vsri The collection of the late Da\id , Esquire, now on view, has been knownto all art lovers, in America for many years as acollection representing an exceptionally highstandard and including works from the time ofVan Dyck and Murillo to the middle period ofour own contemporary, Monet. Constable, Mor-land, Reynolds, Gainsborough, Romney, De-camps, Courbet, Corot, Rousseau, Diaz, Troyonand many other artists equally famous are in-cluded in the collection. The collection was opened with a press viewreception on January 2 2d and is to be continuedduring this month and K. GLICUSON American Painters Pre-eminent A MERICAX PAINTERS PRE-EMI-NENTBY CHARLES L. BUCHANAN Rkcknt events in the art world bearcumulative testimony to the fact that .Americanpainting has come definitely into its own. Onlya judgment and a point of \-iew congenitallyobtuse and per\-erted can fail, I think, to appre-ciate their significance. By the time these wordsshall have appeared in print it will probably becommon knowledge that the Autumn Woods ofGeorge Inness has changed hands by way of theAinslie Gallery for the record price of §45,000which sum represents, I think, the highest priceyet paid for a painting by an American artist. High prices brought by an indi\idual painteror an indi\idual picture are not, I grant you, aninfallible or so much even as a valid indicationof an inherent artisUc worth. The thing we can-not get away from is the concrete, bed-rock, irre-fragable fact that these prices are a kind ofine\atable growth that cannot be confuted origno
Size: 1945px × 1284px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
