. Programme . ck. The mountains skipped hke rams: And the httle hiUs like lambs. What aileth thee, O thou sea, that thou fleddest? Thou Jordan, that thou wast driven back? Ye mountains, that ye skipped like rams: And ye little hiUs Hke lambs? Tremble thou earth at the presence of the Lord: At the presence of the God of Jacob: Which turned the rock into a standing water: The flint into a fountain of waters. These songs were sung in New York on May 3, 1917. Mr. Blochs Trois Poemes Juifs—Danse, Rite, Cortege funebrewere performed in Boston at a concert of the Boston Symphony Orches-tra, March 23,
. Programme . ck. The mountains skipped hke rams: And the httle hiUs like lambs. What aileth thee, O thou sea, that thou fleddest? Thou Jordan, that thou wast driven back? Ye mountains, that ye skipped like rams: And ye little hiUs Hke lambs? Tremble thou earth at the presence of the Lord: At the presence of the God of Jacob: Which turned the rock into a standing water: The flint into a fountain of waters. These songs were sung in New York on May 3, 1917. Mr. Blochs Trois Poemes Juifs—Danse, Rite, Cortege funebrewere performed in Boston at a concert of the Boston Symphony Orches-tra, March 23, 1917, when he conducted them. His String Quartet in B major was performed in Boston by theFlonzaley Quartet on January 8, 1917. Mr. Bloch was represented by Mr. H. K. Moderwell as saying thathis Jewish music is not based on Jewish themes. The themes are allmy own and are not even in the manner of the traditional Jewish mel-odies which themselves are of doubtful antiquity. Superficially, my Rich inFood Value. J4 and ]/^ Pound Packages MAILLARD PRODUCTS ARE SOLD BY JOHN H, MURRAY306 BOYLSTON ST., BOSTON, AND LEADING DEALERS 329 works are not Jewish at all. The learned Jews will no doubt rejectthem altogether. In fact, I expect the strongest opposition to my workto come from Jews. But I have tried to express the soul of the Jewishpeople as I feel it (Boston Evening Transcript, December 30, 1916). Overture in E-flat major to K5nig Stephan, Op. 117 LuDwiG VAN Beethoven (Born at Bonn, December 16 (?), 1770; died at Vienna, March 26, 1827.) Progress had been made in the building of the new theatre at Buda-pest in 1810 and arrangements were already making for its formalopening on the name-day of the Emperor, October 4, 1811. Hein-rich von Collin, the author of the tragedy Coriolan, for which Beet-hoven wrote an overture, was invited to furnish a drama based on someepisode in the history of Hungary for the occasion. There should alsobe a lyrical prelude and a musical postlude. Collin
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