White-Robed Guanyin, late 1200s-early 1300s. Jueji Yongzhong (Chinese, active around 1300), inscribed by Zhongfeng Mingben (Chinese, 1263-1323). Hanging scroll; ink on paper; painting: x cm (31 x 12 1/2 in.); overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.). Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms. According to Buddhist belief, one such manifestation is the white-robed Guanyin sitting on a rock on the island of Putuo (Potalaka, in Sanskrit), located along the coast not far from Ningbo, in Zhejiang Province
White-Robed Guanyin, late 1200s-early 1300s. Jueji Yongzhong (Chinese, active around 1300), inscribed by Zhongfeng Mingben (Chinese, 1263-1323). Hanging scroll; ink on paper; painting: x cm (31 x 12 1/2 in.); overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.). Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms. According to Buddhist belief, one such manifestation is the white-robed Guanyin sitting on a rock on the island of Putuo (Potalaka, in Sanskrit), located along the coast not far from Ningbo, in Zhejiang Province, , the figure was swiftly drawn in only a few ink lines. The inscription above is by Zhongfeng Mingben, perhaps the most widely respected and influential Chan (Zen in Japanese) master in the Yuan dynasty. The artist’s signature is a single line below on the left: Huanzhu Yongzhong.
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Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
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