The graphic and historical illustrator; an original miscellany of literary, antiquarian, and topographical information, embellished with one hundred and fifty woodcuts . No. IV. Eltham Palace, 320—328. Tudor Architecture, 13 Verses, curious, 87 Villiers, Duke of Buckingham, assassinated, 240 Union Flag, 65—70 Waltham Holy Cross, Abbey, and Church, 96—106 Waltham Cross, 176: 406, Wardrobe Accounts, 88 Wardrobe, a Country Gentlemans, in 1573, 12 Wtll-Flowering, 29 ; at Tideswell, Derbyshire, 30, and 283 West Shene Priory, 15 Winchelsea, Landgate, 32 Witch, how initiated, 76 Witchcraft, Absurditi
The graphic and historical illustrator; an original miscellany of literary, antiquarian, and topographical information, embellished with one hundred and fifty woodcuts . No. IV. Eltham Palace, 320—328. Tudor Architecture, 13 Verses, curious, 87 Villiers, Duke of Buckingham, assassinated, 240 Union Flag, 65—70 Waltham Holy Cross, Abbey, and Church, 96—106 Waltham Cross, 176: 406, Wardrobe Accounts, 88 Wardrobe, a Country Gentlemans, in 1573, 12 Wtll-Flowering, 29 ; at Tideswell, Derbyshire, 30, and 283 West Shene Priory, 15 Winchelsea, Landgate, 32 Witch, how initiated, 76 Witchcraft, Absurdities of, 219 Yeomen of the Guard, 170 C. Wbittingbam, Toots Court, Chancery Lane. BINDING SECT. JUL 241969 3$ tO u; oz Oi to cm M * c- 00 . -Pioi Pi HiH •H r-l a•H wo om fao wS<z. LONDON: PUBLISHED BY J. CHIDLEY, 151, GOSWELL STREET. 1834. C. WIIITTINGHAM, TOOKS COURT, CHANCERY LANE. PREFACE. In the Prospectus originally issued for this Work, the purposes for which it was undertaken, werethus expressed.— That Antiquarian and Topographical Studies may be rendered farmore popular than they have hitherto been—more attractive and interesting to the uninitiated,without becoming in such form unworthy the attention of those who have long pursued them—there can be no doubt. Graphic Illustration has a charm for almost every one; and many whohave, at first, been attracted by that alone, have insensibly acquired a relish for investigatingand inquiring into the subjects thus introduced to them. From careless and casual inspection,they have been led on to make themselves acquainted with the history of the buildings andplaces they were shewn—to compare their former with their present state, to learn who were theirfounders or occupiers, and what events or traditions agraphichistorica00brayuoft
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Keywords: ., bookauthorbrayle, bookcentury1800, booksubjectenglandantiquities
