Beethoven and his nine symphonies . INTRODUCTION.—ALLEGRO CON BRIO. 25 The rest consists of passages of imitation between bass andtreble, and of good modulation, all couched in beautiful andmelodious forms, and ending with a very graceful passage indouble counterpoint over a pedal of ten bars length on A,resolving into the tonic on the first note of the Allegro con brio:No. 2. Viol. 1. ^ ^. It is strange at this early date to meet with the arpeggio ofthe chord of D minor, in a shape which almost textuallyanticipates the Ninth Symphony— No. 3. m. The opening of the principal theme of the Al
Beethoven and his nine symphonies . INTRODUCTION.—ALLEGRO CON BRIO. 25 The rest consists of passages of imitation between bass andtreble, and of good modulation, all couched in beautiful andmelodious forms, and ending with a very graceful passage indouble counterpoint over a pedal of ten bars length on A,resolving into the tonic on the first note of the Allegro con brio:No. 2. Viol. 1. ^ ^. It is strange at this early date to meet with the arpeggio ofthe chord of D minor, in a shape which almost textuallyanticipates the Ninth Symphony— No. 3. m. The opening of the principal theme of the Allegro is one ofthe passages just alluded to as belonging to the old school inthe distinct definition and regularity of its construction— i No. 4. Allegro eon brio. Violin ores.
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectsymphon, bookyear1896
