Stem Cup. 618 AD–906 AD. China. Silver with parcel gilt decoration The form of this wine cup was inspired by goblets made in the Sasanian and Sogdian empires, but originally derived from Hellenistic styles of the Mediterranean world. Its low, spreading foot gently flares into faceted petals suggesting a lotus flower. Since the introduction of Buddhism to China, the lotus—which emerges unstained from muddy water and therefore carries associations of purity and non-attachment to worldly concerns—had become a pervasive motif in secular as well as religious art. Two layers of petals, beaten in rep
Stem Cup. 618 AD–906 AD. China. Silver with parcel gilt decoration The form of this wine cup was inspired by goblets made in the Sasanian and Sogdian empires, but originally derived from Hellenistic styles of the Mediterranean world. Its low, spreading foot gently flares into faceted petals suggesting a lotus flower. Since the introduction of Buddhism to China, the lotus—which emerges unstained from muddy water and therefore carries associations of purity and non-attachment to worldly concerns—had become a pervasive motif in secular as well as religious art. Two layers of petals, beaten in repousse, enclose birds, floral sprays, and clusters of grapes—all delicately chased and gilded against a ringmatted ground. This mixture of native and imported decorative motifs, which followed the seventh-century introduction of grapevines and grape wine from Iranian and Turkic lands, is executed with a linear fluency that is distinctively Chinese.
Size: 3000px × 2372px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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