. Studio international . ion rape, two of I ? .I hair, Mil ? ?I thet to hinder thean treti bed from mai •• ? y that I with a powerful ii ing will !»• h withred. white of rice, called a resist, brushed overthe crape instead of the when dry leaves on the crapethe exact pattern of the stencil inrice paste. The crape is then dyed,and subsequently the rice paste isremoved by washing, with the resultthat the pattern is left in white on acoloured ground. This method iscalled in Japan Shiro Xuki. Inall stencils two small holes willalways be found at the edge of thepattern ; thes
. Studio international . ion rape, two of I ? .I hair, Mil ? ?I thet to hinder thean treti bed from mai •• ? y that I with a powerful ii ing will !»• h withred. white of rice, called a resist, brushed overthe crape instead of the when dry leaves on the crapethe exact pattern of the stencil inrice paste. The crape is then dyed,and subsequently the rice paste isremoved by washing, with the resultthat the pattern is left in white on acoloured ground. This method iscalled in Japan Shiro Xuki. Inall stencils two small holes willalways be found at the edge of thepattern ; these are register points,enabling the dyer to repeat thedesign without any flaw where thepattern joins. On further examina-tion many stencil plates will befound with another device cut in themargin. This is an indicator orregister mark to enable the dyer to arrange forthe accurate fitting of a series of stencil platesone over the other, a method resorted to inorder to attain the more elaborate results arrived. ii DVID WITH Ai mi. n\ i \, 01 m. a
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
