History of mediæval art . ng,which, after the twelfth century, was neglected even by the Burgun-dians. It appears that the few requirements in monumental bronzecasting were at first supplied, as in Italy, by importations fromConstantinople, through the medium of Venice and Genoa; but inlater times by the productions of the Belgian school of school is known to us by the beautiful baptismal font in theChurch of St. Bartholomew at Liege, which was cast soon after 473 SCULPTURE OF THE ROMANIC EPOCH. 1112, by Lambert Patras, of Dinant, at the order of Abbot Heleniusof Orval. In thorough
History of mediæval art . ng,which, after the twelfth century, was neglected even by the Burgun-dians. It appears that the few requirements in monumental bronzecasting were at first supplied, as in Italy, by importations fromConstantinople, through the medium of Venice and Genoa; but inlater times by the productions of the Belgian school of school is known to us by the beautiful baptismal font in theChurch of St. Bartholomew at Liege, which was cast soon after 473 SCULPTURE OF THE ROMANIC EPOCH. 1112, by Lambert Patras, of Dinant, at the order of Abbot Heleniusof Orval. In thoroughness of execution and correctness of formthis surpasses even the works of the foundery at Hildesheim. It isnot surprising that such castings should have been greatly admiredin Northern France, where little progress had been made in thisbranch. Members of the guild were called to France, and Dinantcame to be looked upon as a high-school of bronze founding. Thisis made evident, less by the remaining specimens of the work in.
Size: 1397px × 1788px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, bookpublishernewyorkharperbros
