Fragment of a Mina'i Bowl 12th–13th century This fragment is overglaze-painted with a seated figure surrounded by dotted branches enclosed in a medallion. The painting technique, now called mina’i but historically referred to as haft rang (seven color), was a distinctive Iranian tradition employed on stonepaste, possibly transposed from glass enameling. Mina’i painted wares share some stylistic features with coeval Syrian stonepaste, including the moon-like faces of figures or the dotted branches seen on this piece, that exemplify how a common visual language was adapted to and modified by loc

Fragment of a Mina'i Bowl 12th–13th century This fragment is overglaze-painted with a seated figure surrounded by dotted branches enclosed in a medallion. The painting technique, now called mina’i but historically referred to as haft rang (seven color), was a distinctive Iranian tradition employed on stonepaste, possibly transposed from glass enameling. Mina’i painted wares share some stylistic features with coeval Syrian stonepaste, including the moon-like faces of figures or the dotted branches seen on this piece, that exemplify how a common visual language was adapted to and modified by local techniques, traditions, and fragment came to the Museum in 1920, together with a large group of objects bequeathed from the collection of the antique dealer William Milne Fragment of a Mina'i Bowl. 12th–13th century. Stonepaste; overglaze painted (mina'i). Attributed to Iran, Rayy. Ceramics

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