Harmony, with an appendix containing one hundred graduated exercises . But the J is occasionally used on a non-accented portion of abar, in which case it is called a passing I, — Ex. Ex. 53. 4-4 ^^ 5 ^r± ^ ^ A:^- ,(=2. ^ S2I iS 5 6 3 4 6 5 4 3 HARMONY. 35 It will be seen in tne above (Ex. 52 and 53) that the passing Jis not always followed by a ^. In Ex. 52, it is followed by a 6;in Ex. 53, by another |. The I on the accent is sometimesdistinguished from the passing I by being called a cadential |—•that is, a | which often occurs in cadences, or the close of musicalsentences. 72. Augm
Harmony, with an appendix containing one hundred graduated exercises . But the J is occasionally used on a non-accented portion of abar, in which case it is called a passing I, — Ex. Ex. 53. 4-4 ^^ 5 ^r± ^ ^ A:^- ,(=2. ^ S2I iS 5 6 3 4 6 5 4 3 HARMONY. 35 It will be seen in tne above (Ex. 52 and 53) that the passing Jis not always followed by a ^. In Ex. 52, it is followed by a 6;in Ex. 53, by another |. The I on the accent is sometimesdistinguished from the passing I by being called a cadential |—•that is, a | which often occurs in cadences, or the close of musicalsentences. 72. Augmented intervals should be generally avoided, —
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