. Studio international . tally, he dwelt untilin 1891, coming intotown, he entered the-Sydney School of Art,under J ulian RAshton. Therein his training as 1 ? ? that .. I pal travelled all the way from Sydney to improveupon, and equally, if not more, unsuccessful inproviding what really was the conspicuous to what that was he had little difficulty indiscovering. In turn, I daresay, he and many ofhis fellow-students dabbled in the latest cries, invarying stages of impressionism, in brushes ofpeculiar magnitude, in atmosphere or neo-primitif-isms. Certainly they made a practice of painti
. Studio international . tally, he dwelt untilin 1891, coming intotown, he entered the-Sydney School of Art,under J ulian RAshton. Therein his training as 1 ? ? that .. I pal travelled all the way from Sydney to improveupon, and equally, if not more, unsuccessful inproviding what really was the conspicuous to what that was he had little difficulty indiscovering. In turn, I daresay, he and many ofhis fellow-students dabbled in the latest cries, invarying stages of impressionism, in brushes ofpeculiar magnitude, in atmosphere or neo-primitif-isms. Certainly they made a practice of paintinglife-sized nudes with more or less effect and noidea of ordered craftsmanship. And it was justthis that struck Mr. Lambert, after two preciousyears of the scholarship had run, that neither atCarl Rossis nor at Delacluses was there any manto show him a sane, sound, ordered system, aworking method. Penetrating to the Louvre andlooking up at the Fete Champttre, at Van Dyckand Velasquez, he always had been aware of the. U . I AM III li 1
Size: 1403px × 1781px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
