. International studio. tion in his skies, and stability of drawing in thebuildings in such a sketch as Twilight Bristolwould increase the reality of effect. At the Ryder Gallery Mr. H. C. Chetwood Among other exhibitions which claim notice isthat of E. T. and E. H. Compton at the Fine ArtSociety. Both artists paint in a quite similarvein, sharing the same admirable qualities of stricttruthfulness to certain aspects of nature, largenessand dignity of composition and scholarly at this latter gallery Mr. Frank Shorts recentexhibition of etchings, mezzotints and water coloursmust be m
. International studio. tion in his skies, and stability of drawing in thebuildings in such a sketch as Twilight Bristolwould increase the reality of effect. At the Ryder Gallery Mr. H. C. Chetwood Among other exhibitions which claim notice isthat of E. T. and E. H. Compton at the Fine ArtSociety. Both artists paint in a quite similarvein, sharing the same admirable qualities of stricttruthfulness to certain aspects of nature, largenessand dignity of composition and scholarly at this latter gallery Mr. Frank Shorts recentexhibition of etchings, mezzotints and water coloursmust be mentioned. The distinguished etcherremains at his best perhaps still in plates of thecharacter of Rye Port, but his excursions into mezzo-tints after Turner and others are very Fairyland of H. J. Ford is familiar tomany readers of the fairy-tale books by Andrew-Lang which he has illustrated. The originaldrawings for these were lately shown at the BaillieGallery, together with paintings, some of the larger. M<1RNINc; ON THB SUSSEX DOWNS [,Sec Maiuhesttr Studio-Talk) BY MILDRED HALL 58 studio- Talk
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