. William De Morgan and his wife . sr-r-. o ^ XJ :»: . 5 « S -rl^ 5 y: O ^ s •- 3 O THE FULHAM PERIOD 229 future may produce imitators of De Morgan ware in colour andprocess, no brain will ever emulate the peculiarly individualcharacter of his rare and delicate humour. Thus Phoenix-like out of the dead factory rose this structurecommemorative of its existence and encircled by a lovely gardenwhere loggias, pavilions and fountain-tanks again reflect in thepale English sunshine the glowing richness of the blae-and-greenoriental colour-scheme. And so it is in life, that out of whatseems failu
. William De Morgan and his wife . sr-r-. o ^ XJ :»: . 5 « S -rl^ 5 y: O ^ s •- 3 O THE FULHAM PERIOD 229 future may produce imitators of De Morgan ware in colour andprocess, no brain will ever emulate the peculiarly individualcharacter of his rare and delicate humour. Thus Phoenix-like out of the dead factory rose this structurecommemorative of its existence and encircled by a lovely gardenwhere loggias, pavilions and fountain-tanks again reflect in thepale English sunshine the glowing richness of the blae-and-greenoriental colour-scheme. And so it is in life, that out of whatseems failure often arises a permanent and unforeseen result; forthis house which, like some Aladdins palace, has sprung up amidincongruous surroundings, stands to-day a monument to thecreative power of two men—the architect who designed it andthe potter whose best life-work it preserves and enshrines forposterity. I have had no orders for Tuileries Palaces yet, wroteRicardo to De Morgan, sending him the Journal of Architecture,in which illus
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Keywords: ., bookcentury1900, bookdecade1920, bookpublishernewyo, bookyear1922
