A new history of painting in Italy : from the II to the XVI century . efects less than usual, the size of the panels being small. We note the neatnessof the drawing. The colour is, however, still flat and cold. The subjects are fromthe legend of S. Benedict. [The figures are by Neroccio.] 1 It is certain, says GAETANO MILANESI, Discorso, ubi sup., p. 69, that theinvention of the mine was first practised by Francesco di Giorgio in 1495 at thesiege of the Castel del Uovo at Naples. 2 Doc. Sen., vol. ii., pp. 429, 430, 431, 432, 433, 434, 435-8; and GAYE, Carteggio,vol. ii., pp. 288, 289, 290, 29
A new history of painting in Italy : from the II to the XVI century . efects less than usual, the size of the panels being small. We note the neatnessof the drawing. The colour is, however, still flat and cold. The subjects are fromthe legend of S. Benedict. [The figures are by Neroccio.] 1 It is certain, says GAETANO MILANESI, Discorso, ubi sup., p. 69, that theinvention of the mine was first practised by Francesco di Giorgio in 1495 at thesiege of the Castel del Uovo at Naples. 2 Doc. Sen., vol. ii., pp. 429, 430, 431, 432, 433, 434, 435-8; and GAYE, Carteggio,vol. ii., pp. 288, 289, 290, 293. 3 See antea in Signorelli. 4 See the record of this competition in Com. to VASARI, vol. vii., p. 243. 5 See on this point VASARI, vol. iv., p. 204, with notes of the commentators;RTJMOHR, Forschungen, vol. ii., p. 177, and following; and Doc. Sen. * Doc. Sen., vol. ii., pp. 463-4, 466. They were ordered in [This is as unjust as the authors judgment of Vecchiettas sculpture. Thefollowing pictures, in addition to those already noticed, may be registered:—. Srogi. THE NATIVITY, WITH SS. BERNARDINO AND AMBROSEFRANCESCO DI GIORGIO. Gallery, Siena.
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