. Gardens for small country houses. Gardens. FIG. 286.—AT WYCH CROSS PLACE. FIG. 287.—AT WOTTON HOUSE. in Tijou's steps. Where he used embossing it was with imperfect understanding of its possibilities. When he was free from the master's influence and began working at New College, Oxford, about 1711, he discarded the Tijou style and developed a simpler manner of his own which is markedly Enghsh. Warren and (despite his Dutch - sounding name) Buncker did work of a similar kind during the first quarter of the eighteenth century. The gates at Packwood House,, Birmingham (Fig. 28S), and at Norton
. Gardens for small country houses. Gardens. FIG. 286.—AT WYCH CROSS PLACE. FIG. 287.—AT WOTTON HOUSE. in Tijou's steps. Where he used embossing it was with imperfect understanding of its possibilities. When he was free from the master's influence and began working at New College, Oxford, about 1711, he discarded the Tijou style and developed a simpler manner of his own which is markedly Enghsh. Warren and (despite his Dutch - sounding name) Buncker did work of a similar kind during the first quarter of the eighteenth century. The gates at Packwood House,, Birmingham (Fig. 28S), and at Norton Conyers (Fig. 289), show this more restrained note in design, the latter in a marked degree. The majority of the gates of the first half of the eighteenth. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Jekyll, Gertrude, 1843-1932; Weaver, Lawrence, Sir, 1876-. London, Country Life [etc. ]; New York, C. Scribner's Sons
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectgardens, bookyear1920
