. International studio. IF. IIAIN * CASKET IN METAL AND ENAMEL BY MISS DE C. LEWTHWAUE UEWAR distributed his light and shade, and who has heresucceeded in giving us those extraordinary con-trasts which constitute the secret of the Spanishschool of painting. M. Vila y Prades is a discipleof Sorolla y Bastida, and one can with truth assertthat the pupil is worthy of the master. Like him, Vila is an excellent painterof seascapes, and his pal-ette renders the loveliestcerulean and glaucoustones of the Mediterra-nean. I will only cite hispainting Dans lean here-with reproduced, whichshows us a woma
. International studio. IF. IIAIN * CASKET IN METAL AND ENAMEL BY MISS DE C. LEWTHWAUE UEWAR distributed his light and shade, and who has heresucceeded in giving us those extraordinary con-trasts which constitute the secret of the Spanishschool of painting. M. Vila y Prades is a discipleof Sorolla y Bastida, and one can with truth assertthat the pupil is worthy of the master. Like him, Vila is an excellent painterof seascapes, and his pal-ette renders the loveliestcerulean and glaucoustones of the Mediterra-nean. I will only cite hispainting Dans lean here-with reproduced, whichshows us a woman wad-. ing through the picture /> Bain ison account of its lighte(|ually excellent. Up tillnow Vila y Prades hasbeen little known inFrance. He had a trium-phant exhibition atBuenos Ayres, and 1 trustit will not be long beforewe see an ensemble of hisworks either in Paris orin .1. VILA V iRADtij in London which shall Stucfio-Talk. DEPART BY J. VIL\ Y PRADES be crowned with the success which his talentindubitably deserves. An exhibition of paint-ings by Claude Monet isalways an important eventin Paris, and furthermoreit is the case with this greatartist, as with Rodin, thatno matter what pictures heexhibits, no matter whatcriticisms may be levelledagainst him, one finds everin his work new evidenceof a strong and noble per-sonality and of great con-scientiousness. M. ClaudeMonet showed recently inthe Durand-Ruel galleriesforty-eight paintings, thefruits of his work duringthe last five years, to whichhe has given the generaltitle of Les JVympheas, pays-age deau, each depicting atdifferent seasons of the yearand different hours of the day the diverse aspects of a little lily pond in theartists garden at Vetheuil. In this series Monethas returned to a method, already followed with
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