Harmony, its theory and practice . * Some exceptional progressions of auxiliary notes will be shown later inthis chapter; but these do not invalidate the general rules here given. Chap. X.] Auxiliary Notes. 139 found in one of Bachs Church Cantatas. Herr Gott, dich loben alle Ibt. 246. Here the effect is much harsher than in the passage from Mozartjust quoted, and the extract is not given for the studentsimitation, but to show its harmonic possibility. 325. Besides the two kinds of auxiliary notes already spokenof, there is a third species somewhat resembling them, thoughpossessing featu
Harmony, its theory and practice . * Some exceptional progressions of auxiliary notes will be shown later inthis chapter; but these do not invalidate the general rules here given. Chap. X.] Auxiliary Notes. 139 found in one of Bachs Church Cantatas. Herr Gott, dich loben alle Ibt. 246. Here the effect is much harsher than in the passage from Mozartjust quoted, and the extract is not given for the studentsimitation, but to show its harmonic possibility. 325. Besides the two kinds of auxiliary notes already spokenof, there is a third species somewhat resembling them, thoughpossessing features of its own. Sometimes one or more partsof the harmony proceed prematurely to their notes in the nextchord, while the others remain. This effect is known as anAnticipation. Handel. Messiah. Ez .246.
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