. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . hich no general Rule is to be ; and therefore, not to be exhibited to a Be-ginner 5 there being a great difference betwixtthat which is done with Judgment and Defign,and that which is committed by overfight origno-tance. Again, many things may be allowed inQuavers and Crotchets (as in thefe Examples thatI have fhewed) which would not be fo allowableiv^^imms or Semibnves, life of Discords 71 I told you formerly that Dijcords are beftbrought ofF when they pafs into Imperfe^ Concords -,which
. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . hich no general Rule is to be ; and therefore, not to be exhibited to a Be-ginner 5 there being a great difference betwixtthat which is done with Judgment and Defign,and that which is committed by overfight origno-tance. Again, many things may be allowed inQuavers and Crotchets (as in thefe Examples thatI have fhewed) which would not be fo allowableiv^^imms or Semibnves, life of Discords 71 I told you formerly that Dijcords are beftbrought ofF when they pafs into Imperfe^ Concords -,which is true Dodrine, and ought to be obferved(as much as may be) in long Notes and Syncopation:But in fhort Notes and Diminutiony we are not ioflridly obliged to obfervance of that Rule. Nei-ther can we Afcend or Defcend by degrees to a^th or to an ^thy but a ^th will come before theone, and a -jth before the other. Again, a -jth doth properly pafs into a 5^^,when the Parts do meet in contrary Motion, asyou may fee in the Example next following. .J i—ii- ^_:b u_[i:U:-§_«-t=p_pp___r-:i; 7 7 5.
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