Winslow Homer. Fishing off Scarborough. 1882. United States. Graphite and opaque white watercolor, with traces of black chalk, on medium weight, slightly-textured, tan laid paper with blue and red fibers During Homer’s sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. Fishing Off Scarborough shows two young women and two fishermen in a coble as it slices through coastal waters. Carefully rendered in graphite, the figures and fishing boat stand in contrast to Homer’s spontaneous, abstrac
Winslow Homer. Fishing off Scarborough. 1882. United States. Graphite and opaque white watercolor, with traces of black chalk, on medium weight, slightly-textured, tan laid paper with blue and red fibers During Homer’s sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. Fishing Off Scarborough shows two young women and two fishermen in a coble as it slices through coastal waters. Carefully rendered in graphite, the figures and fishing boat stand in contrast to Homer’s spontaneous, abstract representation of clouds, mist, and spray done in opaque white watercolor. In addition to employing graphite to describe concrete objects, Homer used his pencil to suggest abstract effects, such as smoke rising from the steamship in the right background. Fishing Off Scarborough served as the basis for Homer’s 1883 watercolor, Returning Fishing Boats, which the artist completed after his return to New York from England.
Size: 3000px × 2248px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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