A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . nd Vicini have published several documentary references to the familyof Barnaba. His great grandfather Ottonello was from Milan. The paintersfathers name was also Ottonello, and his mother was Francesca Cartari. He passedhis youth in Modena. See Gitjlio Bertoni and Emilio P. Vicini in the EassegnacTArte, August, 1903, p. 118. ?^ Frankfurt, Staedel, No. 1. Wood, 3 feet 6 inches high by 2 feet 4 : barnabas de mvtina pinxit .... mccclxvii. ^ Berlin Museum, No. 1,171. Half-length


A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . nd Vicini have published several documentary references to the familyof Barnaba. His great grandfather Ottonello was from Milan. The paintersfathers name was also Ottonello, and his mother was Francesca Cartari. He passedhis youth in Modena. See Gitjlio Bertoni and Emilio P. Vicini in the EassegnacTArte, August, 1903, p. 118. ?^ Frankfurt, Staedel, No. 1. Wood, 3 feet 6 inches high by 2 feet 4 : barnabas de mvtina pinxit .... mccclxvii. ^ Berlin Museum, No. 1,171. Half-lengths nearly life-size, signed: barnabasDE MV1INA pinxit mccclxviiii. Wood, m. high by , gold ground, lancet-shaped at top. That is S. Domenico-in-Rivoli. ® Turin Gallery. Figures of life-size, half-length, inscribed: barnabas deMVTINA PINXIT MCCCLXX. The picture has been cleaned and in parts retouched. Itwas once in the Church of the Dominicans at Rivoli, then in S. Domenico at Turin,and afterwards at Genoa. The inscription was copied long since by Cav. BONAINI, , p.


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Keywords: ., book, bookcentury1900, bookdecade1900, booksubjectpaintingitalian