Curtain, 1600s–1700s. Africa, North Africa, Tunisia, Djerba, Tunisian weaver(s) and embroiderer(s). Silk, linen, metal, and dye; overall: 281 x cm (110 5/8 x 62 1/16 in.). This pair of curtains displays colorful silk bands with woven geometric motifs, and cream bands with gold-embroidered plants, birds, six-pointed stars, and the khamsah (????), an open five-fingered hand. Birds and the tree of life were popular good luck or fertility symbols linked to marriage. The cosmopolitan motifs would have resonated with Jews, Muslims, and Christians alike, reflecting its creation on multiethnic
Curtain, 1600s–1700s. Africa, North Africa, Tunisia, Djerba, Tunisian weaver(s) and embroiderer(s). Silk, linen, metal, and dye; overall: 281 x cm (110 5/8 x 62 1/16 in.). This pair of curtains displays colorful silk bands with woven geometric motifs, and cream bands with gold-embroidered plants, birds, six-pointed stars, and the khamsah (????), an open five-fingered hand. Birds and the tree of life were popular good luck or fertility symbols linked to marriage. The cosmopolitan motifs would have resonated with Jews, Muslims, and Christians alike, reflecting its creation on multiethnic and multireligious Djerba, an island off the Tunisian coast. There, both goldsmithing and gold thread embroidery were done by Jewish artisans (male and female, respectively). The fine materials suggest they once hung in a wealthy home or for special occasions; interior wall hangings were typically made from rough wool.
Size: 3400px × 3129px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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