The Bard 1784 Figures engraved by John Hall This print was made as a frontispiece for Edward Jones's "Musical and Poetical Relations of the Welsh Bards." The imagery comes from Thomas Gray's "The Bard: A Pindaric Ode" which tells how the invading army of Edward I of England pushed the Welsh bard onto a cliff. Here we see the windblown figure continuing to play his harp as soldiers stand far below by the river Conway:On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Rob'd in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard, and hoary hair Stream'd, l

The Bard 1784 Figures engraved by John Hall This print was made as a frontispiece for Edward Jones's "Musical and Poetical Relations of the Welsh Bards." The imagery comes from Thomas Gray's "The Bard: A Pindaric Ode" which tells how the invading army of Edward I of England pushed the Welsh bard onto a cliff. Here we see the windblown figure continuing to play his harp as soldiers stand far below by the river Conway:On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Rob'd in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard, and hoary hair Stream'd, like a meteor, to the troubled air) And with a master's hand, and prophet's fire, Struck the deep sorrows of his lyre; "Hark, how each giant-oak, and desert cave, Sighs to the torrent's awful voice beneath! O'er thee, O King! their hundred arms they wave, Revenge on thee in hoarser murmurs breathe; Vocal no more, since Cambria's fatal day, To high-born Hoel's harp, or soft Llewellyn's The Bard 391013

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